Chitra-Ranjana: - A relevant story based on painting

Chitra-Ranjana: - A relevant story based on a painting

Since the beginning of human civilizations, painting has been present in different human civilizations.  We have been seeing different forms of painting in different human civilizations and the influence of cultures of these human civilizations is also seen in the painting.  The history of painting also goes through these various human civilizations.  The painting began about 64000 years ago and the evidence of its initial forms is found in European countries.
 In the early human civilizations, the form of painting was cave painting.  In this way, this Chitra-Ranjana story was related to the period when paintings were popularized in caves. Although there is some main character in every story, the main character of this story can only say that he has been related to all the stories of this world. Now you must be wondering which is the character that is related to all the stories of the world. The name of this character is the time that is related to all the stories of the world. All the stories of the world are born and end in this time cycle. This story is born under the cycle of time, whose name is Chitra-Ranjana.
What does Chitra-Ranjana mean or what is the definition of Chitra-Ranjana. This is how we can understand the meaning of Chitra-Ranjana and its definition. The word Chitra-Ranjana is made up of two words. In which one word is Chitra and another word is Ranjana. The word Chitra means a figure or shape of an object and the word Ranjana means coloring or coloring in a figure or object.

I hope you have understood the meaning of this story very well.  So now we start the story of Chitra-Ranjana, which started about 44000 years ago.  When the world's first modern human civilizations were developing. This was the time when the geometric figures in the world began to be used in painting. In other words, it was the time when in modern human civilizations, humans used to express their feelings by drawing pictures or figures.

This was the period of modern human civilization when the unique initiative of depicting stories through pictures or figures developed. An example of this initiative is found in the Maros-pangkep karst cave of Sulawesi's.

This is the beginning of telling stories through pictures or figures. It was the first attempt in the world to depict stories through pictorialization in the history of cave painting. Figurative art in the world also started with this. A chapter of figurative art is also included in this Chitrarajna story.

A chapter on the origin of figurative art was also started from here and the development of figurative art continued in this sequence in human civilizations.  The first link of figurative art in cave painting is also associated with this and along with this link, evidence of the development and expansion of figurative art has also been included in history. It was the first painting to be made by hand-stencils and geometric figures, which incorporated figurative art.  Non-figurative art painting was in circulation about 20000 years ago.  Which was used in the early modern human civilization or group of the Neanderthal's? If seen in the context of the subjects of painting, then the main theme of painting produced by the Neanderthal's was focused on the symbolization of that culture, animals, and birds.  In this chain, if Sulawesi's painting of Maros-pangkep karst Cave is seen, the subject of this painting was the first human attempt to depict stories through pictorialization in painting.

As you have known, the painting of Maros-pangkep karst Cave in Indonesia is famous worldwide for telling stories through pictures and as the first symbol of figurative art. Now we tell some more important information about this painting pattern through this Chitranjana story.

Cave paintings are some of the earliest known forms of human art, created by early humans who lived in caves and rock shelters thousands of years ago. These paintings provide a glimpse into the lives and beliefs of these ancient people, and they also offer insight into the development of early human culture and creativity.

One of the most striking features of many cave paintings is the use of patterns. These patterns often consist of repeated geometric shapes, such as circles, triangles, and lines. These patterns are found in caves all over the world, from the Lascaux Cave in France to the Altamira Cave in Spain to the Bhimbetka rock shelters in India.

There are several theories about the purpose of these patterns. Some researchers believe that they were purely decorative, while others suggest that they may have had religious or symbolic significance. It's possible that they were used to convey information about the environment, such as the movement of the stars or the seasons.

Whatever their purpose, the use of patterns in cave paintings is a testament to the creativity and artistic talent of early humans. These patterns were created using a variety of materials, including charcoal, ochre, and other natural pigments. The artists would have had to grind these materials into a powder, mix them with water or other binders, and then apply them to the cave walls using their hands, fingers, or simple tools made from bone or stone.

One of the most famous examples of patterned cave paintings is found in the Lascaux Cave in southwestern France. The cave features a series of painted and engraved panels that depict a variety of animals, including horses, bulls, and deer. Many of these animals are depicted using repeating geometric patterns, such as circles, triangles, and diamonds. These patterns may have been used to emphasize the shapes and movements of the animals, or they may have had symbolic significance.

Another example of patterned cave paintings is found in the Altamira Cave in northern Spain. This cave features a series of painted and engraved panels that depict a variety of animals, including bison, horses, and wild boar. Many of these animals are depicted using a technique known as "spotted horses", in which the artists used small dots and dashes to create a pattern of stripes and spots. This technique was used to create a sense of movement and energy in the animals, and it is considered one of the most advanced forms of cave art.

The Bhimbetka rock shelters in central India are another example of patterned cave paintings. These rock shelters feature a series of painted and engraved panels that depict a variety of scenes from daily life, such as hunting, dancing, and cooking. Many of these scenes are depicted using a variety of geometric patterns, such as circles, squares, and spirals. These patterns may have had religious or symbolic significance, or they may have simply been used to decorate the scenes.

In conclusion, the use of patterns in cave paintings is a fascinating aspect of early human art and culture. These patterns offer insight into the creative and artistic talents of early humans, as well as their beliefs and values. Whether used for decoration, symbolism, or communication, these patterns continue to inspire and intrigue us thousands of years later.